Aphrodite of knidos essays

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  2. Aphrodite of Knidos Essay Sample
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This creates a relationship with the viewer, as though the viewer is glimpsing something they should not. A clear advancement in Praxiteles' use of marble is seen in his creative use of a prop. In order to allow such sweeping composition to the figure, it needs to be supported, but instead of merely propping the figure up, Praxiteles incorporates it into the design. The clothes she has removed hang down from her hand onto the hydria full of her bathing water. Furthermore, the fact that Aphrodite is holding up the drapery, means any sense that it is in fact supporting her is lost.

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By placing Aphrodite in such an everyday situation, Praxiteles is creating a much more accessible and humanising view of the goddess. The power she holds is not totally ignored though, as it refers to the ceremonial bath of Aphrodite to renew her virginity. Praxiteles blends humanity with divinity perfectly, portraying her divinity without being distanced by grandeur. The same theme can be seen in his sculpture of Hermes with the infant Dionysus, the most famous example of an adult and infant group.

The piece portrays Dionysus as a baby being carried by Hermes to the muses by whom he will be raised.

Aphrodite of Knidos Essay Sample

Although Hermes' right forearm is lost, it was originally raised to dangle a bunch of grapes in front of Dionysus. Praxiteles adds humour to the design, with the child reaching for them greedily - a reference to his destiny to become the god of wine. Praxiteles follows in the footsteps of his father, Kephisodotus, by creating a relationship between two figures in sculpture, very much like Kephisodotus' 'Eirene and Ploutos'. The figure of Hermes is tall and slender, standing in a relaxed leisurely pose.

Praxiteles chose to alter the conventions of the ideal body proportions set out by Polykleitos, by increasing his height and making his head smaller to produce a more elegant form. In this piece he also chose to abandon the balance of contrapposto to create a dynamic sweeping curve throughout the body.

The drapery falling from the left arm of the figure forms an effective prop in the same way as we saw in Aphrodite of Knidos, as well as serving well as a visual support to the piece. The sculpture was described by Pausanias, who writes that it was kept in the temple of Hera at Olympia. In this site was excavated, and the sculpture was found just as he had described it.

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Although this stands to be the only possible Praxiteles original we have, there is still debate over whether it is genuine or simply a Roman copy left to replace the original when it was removed. These doubts are founded on several points about the sculpture: the back is left unfinished and has been partially re-cut in some places, as well as the dates on the base being later than 4th century B.

There is also a strut from the hip to the prop, something which Praxiteles would surely have wanted to avoid given his inventive use of props. However the beautiful rendering of surface and skilled execution of the piece as a whole counters these claims. Pity my widowhood -- Seneca's Phaedra tells the…… [Read More]. Paul Dealt With the Various Issues of. Paul dealt with the various issues of the Thessalonian church in both a practical and theoretical manner.

He chose to deal with grief and loss by enabling discussion and explanation of the Second Coming and the concept of resurrection. He provided comfort and guidance to his members, a social aspect of associations and clubs often witnessed within their cities. In addition, he preached a ministry of pleasing God to prepare for the day when Christ returns.

Greek city life often involved clubs and associations. This meant most Greeks participated in social clubs and activities. Paul operated within a club or association context. He knew this was a practical way to appeal to the Thessalonians as clubs and associations allowed members to participate, created a sense of community, and even covered funeral expenses.

Paul also knew the omans would not view the synagogue as a threat if it were seen as…… [Read More]. Seeing Spirituality in Art. Greek sculptures, 'Veiled and Masked Dancer' and 'Hermes and the Infant Dionysos' dating back to the art periods, and their connection to the realm of spirituality. Is art linked to spirituality in any special way? One might find a number of reasons to answer in the affirmative; there, indeed, appears to be some sort of profuse series of links among the two.

Art has always occupied a central position in religion. In religious rituals and houses of worship, one can witness sacred dances, sacred symbols, hymns, sacred pictures, tunes, and chants; these art forms have also been utilized as meditation and prayer aids by all religions. The above examples of art in religion alone make the former discipline appear to be intrinsic to connecting with or expressing the divine Art and Spirituality 1. Buddhists…… [Read More]. Analyzing and Formal Analysis. It remains a great piece of art after years since its creation. It is still one of the highest prized art masterpieces of all time.

The difficulty in interpreting its meaning is, perhaps one of the reasons why the piece of art has been a subject of discussion among many analysts of works of art. The painting is a portrayal of a nude and relatively large female standing gracefully on a wide and big seashell. The female seems to show up on land, coming from the sea The Birth of Venus. To the left…… [Read More].

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The Odyssey Role of Women. Introduction The roles, ideals, views of men in the ancient civilization have been explored extensively in literature from the famous Kings of Israel to the mathematicians and philosophers of Greece. In contrast, the history entails limited literature of women in the ancient civilization. However, several masterpieces such as the Homeric poem, the Odyssey and the Iliad provides a glimpse of ideals, position, and role of women in the ancient civilization.

Women play a fundamental role in life by taking multiple responsibilities as portrayed in the epic poem Odyssey.

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The epic poem presents the role of women in the facet of power, sexuality, and interaction with men. An analysis of the women in the poem demonstrates a challenge of the space of women as traditionally defined by the patriarchal Greek society. The Homeric poem has a distinct feminist message of the struggle women endure as they try to extricate themselves from…… [Read More]. Cassandra in Agamemnon Cassandra Prophecies. War follows war -- even when peace is supposed and expected.

The narrative voice of Agamemnon is undisturbed by Cassandra's prophecy…… [Read More]. Odyssey at First Glance it. For the most part women in the Odyssey are essentially one of three things: sexualized monsters, in the form of Circe, Calypso, the Sirens, and even Scylla; asexual helpers and servants, in the form of Athena and Eurycleia; and finally, seemingly helpless damsels, in the form of Penelope.


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To this one may add what is essentially the lowest of the low class within the poem, those women who are sexually liberated but who do not even have supernatural power to defend their desire for sexual autonomy, namely, Penelope's maids. Circe and Calypso both express sexual desire, but they are ultimately spared due to their status as goddesses, and thus they merely have to give up Odysseus.

Penelope's maids have no such extra status, and thus in the hierarchy of power represent the lowest of the low, and receive punishment in return. As a result, they are summarily executed for having…… [Read More]. Ethical Practice Involves Working Positively Diversity Difference Counseling is a profession that involves associations based on principles and values ethically.

Patients are able to benefit by understanding themselves better and through creating relationships with others. Through counseling, the clients are able to make positive alteration in life and enhance their living standards. Communities, organizations, couples and families are different groups of individuals are main sources of relationships BACP Ethical Framework, , p.

Frameworks of ethical practice direct the attention of counseling practitioners to engage in ethical responsibilities. This stud describes the purpose of each principle following the development of good counseling practice. Practitioners make reasonable decisions grounded on these principles without making any contradictions.

Capitoline Venus